Maternalizing The Sexualized Black Body

Black female sexuality remains at the core of caricatured black female identity. Scandal’s Olivia Pope, the DC fixer by day and white male concubine at night, is easily the prototype for the black female roles that followed. Her hyper-sexuality quenched the western drought of the black female whore veiled in attributes like education, conventional success, and a costly wardrobe which appear overtly progressive. Pope’s hyper-sexuality mirrors the hyper-sexuality of the jezebel controlling image seen in Hallelujah (1929) and Carmen (1954), which both imply that African blood breeds an untamable sexuality.

Black female hyper-sexuality remains a means to “spice up” dull storylines at the expense of objectifying the black female body. An interesting twist of this portrayal is that this hyper-sexuality has evolved to anchor it’s portrayal at the root. Specifically, a recent evolution of this hyper sexuality depicts the mothers of the sexually sullied protagonists as sexual deviants.

rs_560x415-131105153119-1024.khandi-alexander-scandal-kerry.110513ABC’s Scandal originated this image, in depicting lead protagonist Olivia Pope’s mother Maya as not only a global assassin, but a philanderer. This not only added layers to Olivia’s parental foundation, but an additional dimension to the hyper- sexualized black female body.

Popular series Being Mary Jane and Greenleaf, birthed from the success of Scandal, also depict black female hyper-sexuality in mother-daughter relationships that anchor the series.

On season one of Greenleaf, Pastor Grace Greenleaf (Merle Dandridge) sleeps with an engaged Noah. Although chastised by her mother, viewers learn that Mae Greenleaf (Lynn Whitfield) also had an affair with a married man, as a married woman.  Greenleaf is of course written and produced by Craig Wright—a white man, who greenleaf-logo-2560x1440orchestrates a predominately black cast to perform in  caricatured images validated by sitcoms written and produced by black people.

Side bar. I often find myself wondering if Greenleaf creator joined a black church and created this series from the gossip—or is just a student of Tyler Perry. Probably the latter. Many will argue that the black collective is more interesting in its hidden truths and drama, but it’s not that the black collective has more secrets than its oppressive counterpart, but that the interworking of the white collective is far too wicked for prime-time television. The curators of the white media want blacks to catch the cold of white induced inferiority, not the spirit of self-determination.

600x600bb-85Being Mary Jane, intensifies its depiction of the hyper sexual black woman in revealing that Mary Jane’s mother (Margaret Avery)  Helen Patterson’s hyper sexuality resulted in the creation of her eldest son Patrick, who she stealthily raised as her husband Paul Patterson’s son. This depiction portrays the black woman as destructive to her own conjugal sanctity in presenting questionable paternity to offspring that provide a visual to  her indiscretions. Thus, the implication becomes the message conveyed in a Soho billboard painted around fie years ago  which read:

“the most dangerous place for an African-American is in the womb.”

article-1360125-0D564F14000005DC-265_306x423The billboard insultingly suggests that black females cause more harm to their children prior to birth than the world that awaits  black children. A world that hands them cyclical disenfranchisement, who torches four little girls in a church, or who murders black children who went to the store for a snack.

Yes, the soho billboard referenced black female abortions, but this media portrayal suggests that abortions are favorable in eschewing the identity crisis that awaits the product of black female sexuality. This portrayal of course displaces the idea of a severed black identity, onto the black female, and not the rightful assailant.

The billboard should read, that the most dangerous place for a black child is in the womb of white supremacy, as it is this womb that predetermines the oppressed state of black bodies. The sexualized black female body is a prevalent facet of this oppressed state.

Thus, depicting the black female matriarch as possessing a sexuality too bestial for marriage illustrates hyper- sexuality as a genetic mutation. The mother’s infidelity is visibly placed outside the scope of the black female protagonist—eliminating “learned behavior” as an explanation for this shared mother/daughter trait. grace-and-lady-mae

The result is that the black female viewer becomes incited to question herself and not the power structure that foments this hyper-sexual caricature. Namely, these portrayals induce the black female body to see herself and her collective as hyper-sexual, rather than hyper-sexualized— a mistake that allows white supremacy to prevail on networks black in name and affiliation only.

While  I do critique the analysis offered on the series, I do commend Being Mary Jane for offering an analysis of the black experience written by  black people. This reality makes the series far more appreciated and redeemable than series like Greenleaf who appropriate said narrative. With this said, the series still functions to layer black female behavior without acknowledging the very prevalent outside influences.

It is this carelessness and sheer oblivion that douses our collective identity for the sole benefit of our oppressors. Furthermore, while it may be tempting to clutch one’s pearls and bask in the drama of prim- time television, it is imperative that we as a collective realize that our fictive portrayals yield factual iniquity.

Black Power ❤

8 Comments Add yours

  1. Lena says:

    They target Black women on tv shows and Black men on the news…. and Blk children on billboards. Wow, but I’m not surprised.

    Did you review Queen Sugar yet ?!

    1. Hey! I was turned off by the inter racial love scene that starts the show, but I’ll be reading the novel soon!

      Thank you for the suggestion 🙂

  2. I never watched GREENLEAF or Scandal. I have watched a few episodes of Mary Jane and I enjoyed them. The Pro Life whites are Racist and the Pro Choice whites are Racist, as black people we really have to overstand this phenomona. The Pro Lifers want the right to mistreat black people and incarcerate us after we are here, while the Pro Choice whites will be ok if we never get here, they will just mistreat the Non-Whites who are here. These shows I feel can be dangerous because they encourage young black males to see the black female as a sexual object and this fake T.V dramas will encourage black males to try and play this out in real life adding to our dysfunctional black male/black female relationships. I had no idea this type of sign would be displayed in Soho, isn’t this an upper-scale community of mostly whites in Manhattan? SMH. You summed it up well with this statement:

    “The billboard should read, that the most dangerous place for a black child is in the womb of white supremacy, as it is this womb that predetermines the oppressed state of black bodies. The sexualized black female body is a prevalent facet of this oppressed state”.

    Bravo well said!!!

    1. Thank you for reading and for such an educational comment! I love Being Mary Jane, but I have two upcoming posts about my issues with the show.
      A. That she only appreciates or desires light skin black men
      B. Her best friend is a Latina

      I like that you point out how dangerous these sitcoms can be! These subtle depictions are much more dangerous in my opinion than the ones that clearly appear problematic to a casual onlooker.

      1. I agree. I cannot wait to hear your analysis on Mary Jane, in the meantime I am going to catch up on a few episodes, trying to key in on the learnings and takeaways from this show.

  3. kelley says:

    Such a great post and reminder why I don’t watch much tv!
    “…the interworking of the white collective is far too wicked for prime-time television. The curators of the white media want blacks to catch the cold of white induced inferiority, not the spirit of self-determination.” This entire post holds so much truth, but these lines are what moved me to comment. I have said for quite some time that “they” deflect from their wickedness and have used us as scapegoats for centuries; everything Black and opposite of them is wrong because we’re the closest people to God. To the universe. To love and all things good. Hollywood/powers that be cannot let us be seen in a positive light, uniting or thinking for ourselves as it’s a threat to unveiling our true power and beauty. And you know we can’t have that.

  4. You are 💯 % correct!!

  5. Such powerful comments! I feel so fortunate to have made the acquaintance of such brilliant minds.

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