It’s Not ‘Us’ it’s Them: Jordan Peele’s Us and the Social Reproduction of the Invisible Man (Spoilers)

In its contemporary context, blackness assumes a violent coupling. Filmaker Jordan Peele (Get Out) tackles this coupling in both a literal and figerative sense with his latest release Us. Peele depicts humans as “coupled” by a being who mirrors their exteriority. In challenging the presumed singularity of identity, the coupled being obscures reality, simultanously inciting […]

The Third Killing of Sam Cooke: Thoughts on Netflix Documentary Remastered: The Two Killings of Sam Cooke

There are some things in life that are simply once in a lifetime experiences. Sam Cooke the singer is a once in a lifetime experience for anyone who loves music. Sam Cooke the activist and black nationalist is a black treasure lost in the media mutilation of his body and legacy. The Netflix Documentary Remastered: […]

Sorry to Bother You is not a Bother at All, A Black female Perspective 

Introduction Boots Riley’s Sorry to Bother You, an innovated theory of society as a hyper-site for ridicule and conformity is nothing short of fascinating. A product of magical realism, the film employs protagonist Cassius Green— a melanated black body who attempts to negotiate the western subject by way of capitalistic ambitions as resulting in a […]

Proud Mary, A Review: The Strong Black Woman as Superhero/ Assassin Medley

Proud Mary (2018) is a tale of emancipation well carried by Taraji P. Henson (Mary), Billy Brown (Tom), and Danny Glover (Benny), but poorly written and developed by the non-black males behind the scenes. Mary (Taraji P. Henson) a long time affiliate of Benny (Danny Glover), works to free herself from the chains of a […]