A Black Female Perspective…
A womanist analysis of mainstream and indie films.
Ma, presents a nuanced mammy figure in leading lady Octavia Spencer, who uses complacency as a means of entry to implement her retaliation. Sue Ann Ellington (Octavia Spencer) is a psychologically scarred girl inside a middle-aged woman’s body. Sue Ann, in love with a popular white male, believes she is to perform oral sex on [...]
The Intruder marks the latest edition in the predictable suspense genre perpetuated by attractive non-white actors. The film casts Meagan Good as Annie, a leading yet color blind role alongside a similarly colorless Michael Ealy who plays her husband, Scott. They play a young couple seeking to start a new chapter of their lives and [...]
In its contemporary context, blackness assumes a violent coupling. Filmaker Jordan Peele (Get Out) tackles this coupling in both a literal and figerative sense with his latest release Us. Peele depicts humans as “coupled” by a being who mirrors their exteriority. In challenging the presumed singularity of identity, the coupled being obscures reality, simultanously inciting [...]
There are some things in life that are simply once in a lifetime experiences. Sam Cooke the singer is a once in a lifetime experience for anyone who loves music. Sam Cooke the activist and black nationalist is a black treasure lost in the media mutilation of his body and legacy. The Netflix Documentary Remastered: [...]
I always desired to see a black love story on screen. Not a rom-com, or later-in-life love (though this would be nice too), but an authentic love story with young, black lovers. I know this could never be The Notebook, that though there would be a happily ever after, it would not be conventional because [...]
Pegged as a bildungsroman or a rom-com gone wrong, Nappily Ever After marks the latest of inclusionary narratives that afford black actors a check and the black collective the illusion of progress. The Netflix rom-com appears to include the black woman into the fairy tale genre. What happens, of course, is that black characters remain [...]
Introduction Boots Riley’s Sorry to Bother You, an innovated theory of society as a hyper-site for ridicule and conformity is nothing short of fascinating. A product of magical realism, the film employs protagonist Cassius Green— a melanated black body who attempts to negotiate the western subject by way of capitalistic ambitions as resulting in a [...]
Amidst the contemporary climate of inclusionary activism emerges seasoned director Spike Lee’s BlackKklansman. Based on a book of the same title by protagonist Ron Stallworth, the book and movie entertain via depicting black entry in a white space. This activity occurs multiple times at once throughout the film, the most notable being protagonist Ron Stallworth [...]
Jumping on the bandwagon of the #metoo movement is the latest installment of Oceans 8. The film features an all female cast starring Sandra Bullock, Cate Blanchett, Anne Hathaway, and Sarah Paulson. The film symbolically represents a so called diverse wave of feminism that includes the black woman and woman of color, a quota filled [...]
Hundreds of thousands black women go missing around the world globally, but their abductions often fail to make as much as a ripple in the water let alone the news. “Where are our girls? a term that went viral a few years back to raise awareness for the missing girls in Nigeria, provoking an ethereal [...]
