The Black Man is The Devil Part II: The “R” is Rapist is for Racism, not R. Kelly

The western world’s attack on the black man remains ever-present in a society that preaches of change. The change, of course, speaks to a change in approach as the players in the global game of white hegemony remain stagnant. 

From Kevin Hart, to Dwight Howard to R.Kelly, the black male remains a persistent target of a piercing white gaze that perpetuates racism in the (not so)  silent declaration of the black man as the devil. R. Kelly’s public lynching has a unique prominence as it highlights the systemic disregard for the black man and the black women. simultaneously  rkellyvictims

In a conversation about the R.Kelly documentary that recently aired on Lifetime, a colleague mentioned that “there is too much smoke for there not to be a fire.” This comment instantly reminded me of Ida B. Wells’s Southern Horrors where she exposes the whiteness of “smoke” as indicative of its correspondence to white supremacy. The book documents acts of white terror to which the destruction of the black body precedes a butchering of black identity. Wells delineates a number of black bodies accused and persecuted for crimes they never committed depicting the true horror that is his story.  Contemporary culture reveals a similar landscape to which black men of varying placement in western society remain persecuted to perpetuate black bodies as the face of crimes continually cast against them. 

I want to say here that my intention for writing this piece is not to defend R. Kelly the individual. My efforts are to expose that for any member of the black collective to cheer for R. Kelly’s demise or incarceration is to cheer to your own consequence. 

The jails are filled with those plagued by white supremacy and run by those who should have inherited their ancestor’s life sentences. 

rkellyblackjacketR.Kelly’s case mirrors what the world witnessed with the late, great Michael Jackson. In Kelly’s instance, the players are all black. Michael Jackson’s public persecution exposed his rise to global superstardom as a hoisting onto the branch where he would eventually hang for the world to see. Jackson’s persecution targeted his white fanbase by employing the one tool that would rob him of his fair-weather fans—white children. 

Jackson, like so many of the black men delineated in Wells’s book, endured consequence for his caricature as a black man. Specifically, the accusations cast against him functioned with a belief that preceded the formal charges. Even when the world screamed and shouted as Jackson danced across the stage, the belief that he was a hyper-sexual black man capable of the sins their ancestors continues to cast upon black bodies without consequence lay dormant. With R. Kelly, white supremacists employ black bodies to execute a white agenda. These black faces that speak out about what functions as black male terrorism, function to implement black faces to manifest what the white world continues to perpetuate about black male sexual degeneracy. This agenda is guised under the pervasive falsity that the black man, not the white media, is the devil that must be extinguished. 

Blacks, in siding with the white media attack against R. Kelly are made to believe that they are on the right side of justice. This belief omits the query as to why Bill Cosby is in jail, why Lifetime aired “Surviving R. Kelly” and Harvey Weinstein and others like him remain unscathed, and relegated to the forgotten sins of yesterday.  

These efforts are not anti-R.Kelly, but anti-black. Media attacks as seen in Jackson and R. Kelly, amongst others, ensure that blacks remain the face of crime, notably, sexual assault—crimes that white men and women continue to perform without acknowledgement or penalty. Jails are full of black “rapists” while those who have and continue to rape our grandmothers, mothers, sisters, daughters, sons, teachers, among others maintain the freedom and power to cage us. 

Black women, contemporary racism resumes the technique of separating us from our rkellyfiltermen. Please allow me to remind you that while the black man remains the face of “rapist,” the white woman, remains the race of “race victim” while we remain abducted, bought and sold by those who gloat in freeing blacks from the hypersexual black male beast. To believe or perpetuate the black man as “beast” is to believe and perpetuate the white woman as “beauty”—to condemn our husbands, brothers, fathers, and sons of the very hypersexuality that birthed us as a people.

The white world does not care about black women and our sexual integrity. Accusations that surrounded R. Kelly in the late 1990s and the early 2000s went virtually under-discussed because his alleged victims were black women. This is, of course, problematic, but reflective of the systemic forces that enable our demise regardless of the assailant.

It is of great significance to note that black disenfranchisement is not a desire. As the late Dr. Amos Wilson noted, black disenfranchisement is a necessity. It is necessary that blacks live in a world without care, and it is necessary that we as a collective never forget that our division and espousal to the poisonous ways of white supremacy remains necessary for the control exuded over our collective. 

The white world, specifically, the white media has never cared about black people. We as a collective are never fed information that stimulates our mind or challenges us to assume our full potential. Thus, it is crucial to note that the media exposure of R. Kelly is to the benefit of white supremacy not to uplift the black collective. The white world only cares about white people and maintaining white supremacy.

In closing, while the white world does not care about the sheer falsity of projecting the black man as the devil, the white world does not care about casting the black collective as soldiers in their own genocide so that they may label our demise suicide. 

Black Power ❤


R. Kelly: Sexual Predator or Scapegoat?

I anticipate that this post will be unpopular. I acknowledge the contention that my assertions will certainly prompt and welcome the scathing comments in the section below. With that being said, I still very must feel that my perspective is worthy of articulation and exposure to those that care to listen.

Singer and R&B legend R.Kelly made headlines this week for allegedly assembling a sex cult consisting of underaged girls. These allegations bear a disturbing connection to R. Kelly’s previous trouble with the law, portraying Kelly as a an OJ-like figure–a haughty  recidivist who finagled through the loopholes of the American legal system.

I feel obliged to state that I have no respect for R. Kelly as a man. I do however, respect his talent. I perceive the ‘Pied Piper’ as an enslaved black who used America’s need to hyper sexualize the black man as a means to foment his career. While Kelly defiantly made family friendly songs like “Step in The Name of Love” and inspirational songs like “I Believe I Can Fly” and “The World’s Greatest” most of Kelly’s hits are sexualized slow jams to which I’m sure proved background music to the conception of many post millennials. His sexualized image fueled a career spanning over two decades with a plethora of adoring black female fans. parents-claim-r-kelly-cult-leader-read-2017-1be55b97-e8ac-483b-9dbd-720458c69aec

These fans remained loyal to Kelly even after a video surfaced of the singer issuing a golden shower to a then-fifteen year old girl. The charges were eventually dropped and buried in the past of a musician who was still able to maintain his mogul stature despite dramatic changes in the music industry.

While my argument is not to pardon R. Kelly from blame, it is that he is not the primary cause of the hyper-sexualized black female body that faces violation without consequence. R. Kelly was relieved of any legal responsibility in previous allegations of sexually violating a black female teen simply because the black female body bears no significance to the Western world outside of monetary gain. Consider how quickly the western world kills and incarcerates the black body.  The reason why Kelly was not susceptible to these consequences is not because of his riches, but because his “crimes” served an integral purpose in maintaining white supremacy. Moreover, the world was and is more interested in portraying Kelly and his victim as sexual beasts than to upholding the integrity of those they do not see as a human let alone bearing the presumed innocence of femininity or childhood.

To the western gaze, the hyper sexuality of the young black female body violently seduces Kelly. To this same gaze, Kelly is a sexualized being unable to resist the callings of his bestial urges. Together, these caricatured images of black sexuality function assemble the historical narrative of blacks as primitive and underdeveloped beings worthy of the death and incarceration that befalls them.

rkellyKelly, a melanated individual who believes his conventional success consummates his transition to whiteness, feels as entitled to young bodies as the white man did and does to young black females. Kelly, is a symbol of what happens when a morally impoverished black youth offsets a journey to acquire physical wealth and not a collective consciousness. As members of an oppressed collective, it is essential that we proceed with consciousness. To proceed without it, is to inevitably mirror our oppressors in thought and action.

There is also a large possibility that this ordeal is entirely fictional, and yet another means to lynch a black man by the rope of hyper sexuality. But the verity of these accusations does little to supersede its societal function. The scenario depicts how the black man and women are commonly pitted against one another and how the black male is villanized for implementing what he was nurtured to idolize—white male ideology.

The teachings of white supremacy are second nature to anyone not possessing a conscious gaze. I read The Bluest Eye by Toni Morrison, a few years back and was mortified at what Pecola’s father does to her on the kitchen floor. I resented Morrison for years, holding her in contempt for depicting the black man as indifferently robbing his child of her innocence.

It took me several strides into consciousness to realize that the father was a man systemized and nurtured to become an animal, a subjugate human who performs the dirty work of his master in his oppressed state. This is not an excuse, as his actions are detestable and hard to read, yet even more difficult to process as a factual fate rendered to so many blacks throughout the diaspora silent in the shame of their systemic violation.


Kelly symbolically stands in the same image of this fictional black man who encompasses the factual narrative of so many other black males castrated by earthly demons who program the black body to inflict white evil onto their own people.

Kelly’s actions function to lure black women from blackness into the arms of feminism–yet example of society's dedication to turning racist issues into sexist issues to further the cyclical disenfranchisement of blacks by hurling our struggle into oblivion. A second offense by a black praised for his prodigious talent, serves another blow to our collective identity alongside similar allegations afforded to other black greats like the late Michael Jackson, Bill Cosby, Kobe Bryant, amongst others. These allegations function to fuel white esteem and denigrate black collective worth in staining the black psyche with portraits of themselves that seemingly lack a moral compass.

So, to those quick to compartmentalize a black man as a sexual villain— I would like to redirect your attention to the words of the late and great Malcolm X:

“If you're not careful, the newspapers will have you hating the people who are being oppressed, and loving the people who are doing the oppressing.”

To what contempt will you hold a system that upholds the systemic soiling of black female bodies?

To reiterate I am in no way excusing Kelly, but evoking a sense of nationalism to assert that we as a collective have been wronged by a system that lures us to incessantly blame ourselves but seldom confront the the true villain and sole benefactor of global racism.


In closing, the power of blackness lies largely in realizing if and when we are being played. So while we may not be playing chess, our systemized state as blacks bears a close resemblance to a king being used to seize the most powerful piece of the game–his queen.

Black Power. ❤